Preocupación medioambiental y creación teatral: un intento de análisis ecocrítico de el castigo del dios sol y una voz en el silencio de inongo-vi-makomè

Abstract

Among the topics that help to orientate a critical analysis of the work of Art Teatro “Africa negra en escena” (2010) of Inongo-Vi-Makomè, especially of the theatrical play El castigo del dios sol and Una voz en el silencio, the environment occupies an important place. In the same light, the present monography entitled “Preocupación medioambiental y creación teatral: un intento de análisis ecocrítico de El castigo del dios sol y Una voz en el silencio de Inongo-Vi-Makomè”, is a dissection of the relationships that the negro-African preserves with his environment in the fictional universe. The drama of Inongo serves to us as a starting point through his status of traditional dramatist. He puts on stage utopian spaces where the nature is represented as both subject and object of human activity. It is therefore question of an environmental protagonism that sets the stakes of a holistic and transnational problematic. To attain our objective, the theorical paradigm of the ecocriticism of Cheryll Glotfelty permits us to understand that in the texts, the author associates with Literature, the deployment of the man in the nature. Therefore, it is clear that the anthropological, sociological and ethical discourse contributes in the education for an ecological consciousness. That is why our main concern to give an account in connection with the idea of interconnexion typical to ecocriticism of a symbolism where an African shares with his environment a mythical and mystical ties.