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https://hdl.handle.net/20.500.12177/4628
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Élément Dublin Core | Valeur | Langue |
---|---|---|
dc.contributor.advisor | Guiyoba, François | - |
dc.contributor.author | Amane, Huguette Laurette | - |
dc.date.accessioned | 2021-09-08T11:58:31Z | - |
dc.date.available | 2021-09-08T11:58:31Z | - |
dc.date.issued | 2016 | - |
dc.identifier.uri | https://hdl.handle.net/20.500.12177/4628 | - |
dc.description.abstract | There is general relationship between arts as is the case in our work where media interact with each other according to various rules. This is precisely the case between of Picasso, two poems from Paroles of Jacques Prévert which constitute the core of our work. Thus in this piece of art, we find intermixed aspect between: poetry, music, pointy, theater, and print media, among others. This intermediality which the author uses embarrasses and raises a fundamental question: is intermediality free of motivation? What is the validity of such a method of writing? A careful analysis of the arts shows that intermediality is beyong the mere bringing together of arts and media. This is in line with the thoughts of François Guiyoba according to which intermediality allows poets to express preoccupations of various kinds, including heuristics. | en_US |
dc.format.extent | 81 Pages | fr_FR |
dc.publisher | Université de Yaoundé 1 | fr_FR |
dc.subject | Heuristic | fr_FR |
dc.subject | Intermediality | fr_FR |
dc.subject | Satura | fr_FR |
dc.subject | Ut pictura poesis | fr_FR |
dc.subject | Ekphrasis | fr_FR |
dc.title | La pratique heuristique de l’intermédialité : Cas de la Lanterne magique de Picasso Et de la Promenade de Picasso de Jacques Prévert | fr_FR |
dc.type | Thesis | - |
Collection(s) : | Mémoires soutenus |
Fichier(s) constituant ce document :
Fichier | Description | Taille | Format | |
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ENS_2016_mem_0405.pdf | 1.24 MB | Adobe PDF | Voir/Ouvrir |
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