DICAMES logo

Veuillez utiliser cette adresse pour citer ce document : https://hdl.handle.net/20.500.12177/4628
Affichage complet
Élément Dublin CoreValeurLangue
dc.contributor.advisorGuiyoba, François-
dc.contributor.authorAmane, Huguette Laurette-
dc.date.accessioned2021-09-08T11:58:31Z-
dc.date.available2021-09-08T11:58:31Z-
dc.date.issued2016-
dc.identifier.urihttps://hdl.handle.net/20.500.12177/4628-
dc.description.abstractThere is general relationship between arts as is the case in our work where media interact with each other according to various rules. This is precisely the case between of Picasso, two poems from Paroles of Jacques Prévert which constitute the core of our work. Thus in this piece of art, we find intermixed aspect between: poetry, music, pointy, theater, and print media, among others. This intermediality which the author uses embarrasses and raises a fundamental question: is intermediality free of motivation? What is the validity of such a method of writing? A careful analysis of the arts shows that intermediality is beyong the mere bringing together of arts and media. This is in line with the thoughts of François Guiyoba according to which intermediality allows poets to express preoccupations of various kinds, including heuristics.en_US
dc.format.extent81 Pagesfr_FR
dc.publisherUniversité de Yaoundé 1fr_FR
dc.subjectHeuristicfr_FR
dc.subjectIntermedialityfr_FR
dc.subjectSaturafr_FR
dc.subjectUt pictura poesisfr_FR
dc.subjectEkphrasisfr_FR
dc.titleLa pratique heuristique de l’intermédialité : Cas de la Lanterne magique de Picasso Et de la Promenade de Picasso de Jacques Prévertfr_FR
dc.typeThesis-
Collection(s) :Mémoires soutenus

Fichier(s) constituant ce document :
Fichier Description TailleFormat 
ENS_2016_mem_0405.pdf1.24 MBAdobe PDFMiniature
Voir/Ouvrir


Tous les documents du DICAMES sont protégés par copyright, avec tous droits réservés.