La fortune du roman Temps de Chien de Patrice Nganang : le facteur effet de vie

Abstract

This modest work focuses on the contribution of aesthetic reception in significant constitution, the intake process and radiation of a literary work of art. Indeed, a close look, literary texts analysis paradigms that share the report text / readers have rambled on home settings far in terms of actual receipt. Always has been at the center of their work the question of how a work is received, giving less credence to the triggering instance of the radiation of a work that is the effect it creates in the psyche of the reader . The effect of life as receiving transcendental arises therefore as essential in determining the fortunes of a work. Far from being limited at the time of reading, life effect transcends the instantaneous reception to climb beyond the time of first contact. One pass of the kind of immediate life effect sustainable life effect. This measure is de facto from the influences that generates the effect of aesthetics and production strategies. The most obvious forms of this transcendental effect are carried by Intermediality, interartiality and intertextuality. This demonstration is its validation in deciphering the fortunes of novel Patrice Nganang Temps de chien. The effect of this was such that beyond the consecration by the consecration‘s instances and the criticism. It is also the foundation of the novel written by Emmanuel Matateyou La Mer des roseaux published in 2014.